Four Burl Dunn songs with son Forest Arturo Dunn

My son Forest (1972-2008) and I did a lot of home recording together for a couple of years in the early century. Yeah, it was a special time for us. Forest played piano, keyboards, percussion (on whatever was at hand), and that excellent bass. Oh, he also sang his ass off in the background.
I've taken the digital recorder we used into studios to clean up the sound. Some of our work is on "Texas Socialist Infiltration Dance Songs" and now I've a digital release called "Four With Forest." I went to the fine Elephonic Studios in Albuquerque and worked with Jesse Korman on these four songs. Hear the full songs here at CD Baby or here:
The EP opens with "Williwas," a song inspired by the famous Southeastern Alaska winds and crab fishing. Hey check it out below. I'd like the song to appear on The Deadliest Catch; that'd be nice. If it does I'll owe a lot to Forest's keyboard riffs. "Gale winds 40 knots, still pullin' crab pots. Captain calls all the shots; he's dry, we're not. Willie was."

The second song is "That's Why I'm So Shook" with Forest at his honky-tonk finest. "I don't need your thoughtlessness; I've grown cold to your hard caress."

I wrote "I Didn't See You" right after my first trip to Alaska on a state ferry, the Wickersham. Dig Forest's bass line and Hammond organ. "Maybe you were in a bar in New York City or loving Louisiana living with a Bourbon Street high. Maybe you were on that same boat with me, and I passed with a far-away look in my eye."
"In the End" resonates today in ways I wish it did not, but in the end, we lost Forest and all that good music he never got to play.
It's up on Spotify, CD Baby and all the usual suspects.